and you have been looking forward to a hackneyed love story.
right here’s news. Tum Bin will surpass your expectancies.
A movie revolving around a female and three guys who input her life, Tum Bin is a superb first strive. handiest, it is very glaring it’s a first strive.
the start — a hit and run accident. Shekhar Malhotra (Priyanshu Chatterjee), a corporate whiz, kills Amar Shah (Rakesh Bapat), an industrialist from Canada.
Amar turned into to get married in per week. unable to live with the guilt and haunted with the aid of Amar’s fiancée Pia’s (Sandali Sinha) poem (which she recites to Shekhar mistaking him for Amar), Shekhar makes a decision to go to Canada to satisfy Amar’s circle of relatives.
handiest sto locate an old father numb with grief, a sister who misses her brother and Pia, who is suffering to save the sinking Shah enterprise.
Predictably, Shekhar manages to get via Pia’s prickly defenses, solves math puzzles for Amar’s younger sister, wins over Amar’s father, grandmother and Pia’s best friend. He even manages to weave his magic wand and turn the employer around.
there may be another twist within the tale — Abhigyan (Himanshu Malik), a suave business multi-millionaire, who falls in love with Pia in the beginning sight.
this is the first half. Which holds your attention. particularly high-quality are the scenes which display Shekhar celebrating Diwali alone and his conversations along with his buddy that painting a man in conflict looking to do the proper thing.
Shekhar’s attempts to assist Pia and his relationship with Amar’s sister are pretty properly etched, in spite of some clichéd dialogues and screenplay. His servile attitude in looking to worm his manner into letting her work with him, for example. His managing to get a contract within a few hours is alternatively improbable. The scene whilst he gifts Pia a hat and asks her to preserve smiling is overdone.
the second half disappoints. not able to tell Pia that he loves her, Shekhar attempts at playing martyr. Realising that Abhigyan loves Pia and would be a perfect suit, Shekhar attempts to make manner.
what’s exciting here is the way director Anubhav Sinha portrays Shekhar bodily moving out of Abhigyan’s direction or maybe the scene while Abhigyan realises that Shekhar is likewise in love with Pia.
Himanshu Malik as Abhigyan fails to deliver the required war and the 1/3 perspective in Pia’s lifestyles. wooden and stiff in components, his longwinded and supposedly romantic dialogues fall flat. Continously repeating some mumbo jumbo approximately a ring, hands and murmuring Pia’s call like a parrot, Abhigyan seems greater loony than moony.
His movements are very exaggerated and appear to be an extension of his modelling and music video experience.
Abhigyan makes a decision to assist Pia’s economic troubles by means of buying off her employer shares and for that reason furthering his romantic plans. Shekhar vetoes the concept.
hurt via his refusal to fall in along with her plans, Pia fights with Shekhar best to understand that she has fallen in love with him.
Rebuffed by a guilty Shekhar, Pia makes a decision to marry Abhigyan.
What follows is a protracted drawn climax with Shekhar preventing for his life in the medical institution as Pia and Abhigyan kind their scrambled love lives.
Love does sooner or later find a manner… but no longer before it meanders thru the second one half of the movie.
Shekhar’s reputedly emotional au revoir to the Shah own family, Amar’s sister’s crying in the operation theatre and Abhigyan’s crying in his uncle’s fingers make you recoil.
What provides the plenty wished emotional play to Pia’s person is her confession that she loves Shekhar. nicely written and nicely emoted, that is the highlight of the second one half of.
Director Anubhav Sinha makes use of his understanding in song videos with a few superbly photographed songs. nevertheless, the camerawork seems patchy — breathtaking in components, in particular the picturesque Canada, disappointing in others like the hit and run scene.
additionally what stand out are the few silent moments which Anubhav appears correct at capturing: whilst Shekhar bids goodbye to Pia or maybe whilst he makes a decision to drown his sorrows in drink or Abhigyan’s realisation that Pia loves Shekhar.
What is going for this movie is its viable story. A tale that seems to offer the newbies a few room to show emotion and scenes that define their characters. The scene among Rakesh and Pia, for example, indicates the turning factor wherein she has decided to transport on or maybe whilst Shekhar makes a decision to make way for Abhigyan.
strangely sufficient, for a T-collection production, the tune isn’t the high word of the film. Barring a variety of or two, music administrators Nikhil-Vinay give you passable songs which do not pretty help the motive of this love tale.
The period of the film is some other disadvantage. it might have helped if the second one half of did not drag a lot. also some scenes like the Police commissioner forgiving Shekhar for the hit and run coincidence after flying all of the manner to Bombay are unrealistic
As Pia, Sandali Sinha portrayes an exciting blend of metallic and vulnerability, and promises an amazing overall performance to justify being the central peg of the tale. even though her garments, make-up and voice leave tons to be favored.
Priyanshu Chatterjee as Shekhar Malhotra has a meaty position which he does justice to. He provides a capable overall performance.
The relaxation of the cast is okay. Rakesh Bapat has a miniscule position, but makes his presence felt.
Navneet Nishan as Pia’s great pal gives some compelled laughs along with her over-the-top scenes and costumes.
Rajesh Khera as Priyanshu’s friend overdoes the Punjabi man or woman along with his booming voice that grates in your nerves. Vikram Gokhale is wasted as Amar’s father.
Tum Bin is reasonably first rate fare specially due to the performances via the three beginners.